When he signed with Elektra Records and went into the studio, it took him a humiliating seven months for inspiration to kick in. Busta was going to have to be a solo artist, and he would have to figure it out as he went. Two years earlier, his baby had died after premature birth, and his second child, T’Ziah, was still in diapers. As 1994 rolled around, Busta Rhymes had no group.
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Thus, one of the longest and most prolific solo careers in rap began out of lonely necessity. Busta waited outside Brown’s apartment for hours, begging his bandmate to rejoin. Charlie Brown, fed up with being an also-ran in the group he started, essentially quit Leaders of the New School on live television during a Yo! MTV Raps interview in 1993. Nevertheless, he was the only guy anyone remembered, leaping around in stripes and turning his hat inside out as if to produce a rabbit.Įventually, his charisma won: Demand for solo Busta became so constant and exhausting that it crowbarred the group apart. He was one of six flailing rappers onstage on the Arsenio Hall Show when A Tribe Called Quest performed their hit “Scenario,” and he didn’t even make his way onto the couch for the interview afterward. He had a body that moved as if jerked by wires, a megawatt smile that cameras drank up. “Suffering on your own…that’s a whole ’nother ball game.”īut Busta’s charisma had other plans for him. “Suffering with a team, y’all can still help be each other’s support system,” he mused once. Success was the only option, but Busta had his brothers. When his high-school girlfriend got pregnant, the band kicked into high gear, running from one sweat-soaked show to the next all over the five boroughs, sometimes racking up two or three a night. His father, an electrician, disapproved of his son jumping around and yelling for a living, but Busta was all-in. Finally, Chuck D took them under his wing and began to school them, drill-sergeant style-he used to make them run while rapping, just to test their endurance and commitment.īusta had already given everything he had to the group, dropping out of school at 17 to record their first album. Busta met Brown and Dinco in high school shortly after his family relocated from Brooklyn to Long Island, and together with Busta’s cousin Milo as DJ, they started playing local parties and skulking around 510 South Franklin Street, the headquarters of Public Enemy, hoping to get noticed. For years he’d been happy trading lines and high-kicking with his friends Charlie Brown and Dinco D, the other members of Leaders of the New School. To hear Busta tell it, he never wanted to be on his own. The lesson wouldn’t have been lost on Busta The guy who riles up the crowd gets left out in the cold. By 2000, he would be scalping Yankees tickets for extra cash. He was all too aware of the fate of a hype man without a foil: By 1991, Flava had lost custody of his children and was sinking into addiction. As a protégé of Public Enemy, Busta watched Flava Flav, perhaps hip-hop’s greatest hype man, up close. This should give you a keyhole glimpse into Busta’s struggles as he endeavored to have what no one in his position ever had: a career. He found its success disorienting: “Do I need to get caught up in doing all my records calm?” he asked genuinely on VH1’s Behind the Music. Nobody wants to dance up close to a dungeon dragon.Ĭonsider that Busta Rhymes thinks of “Put Ya Hands Where My Eyes Can See”-one of the most antic hip-hop songs ever, a riot of cross-rhythm and color and jibbering end rhymes-as his “calm” song. “You alienating the girls, playboy,” he advised. It was Puff Daddy who gave him the advice he needed: Calm down.
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He’d become famous for roaring like a dungeon dragon, both with his teenaged group Leaders of the New School and on countless posse cuts and cameos, but this seemed to require a different approach. A “Busta Rhymes verse,” up until now, had meant limbs flailing, eyes bugged, spittle spraying.
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Busta must have glimpsed his future in the song, even if he was unsure how to rap on the beat without trampling it.